Although they are not the most successful band to hail from
Manchester, they are almost certainly the most beloved – and to be completely
honest, that probably means a lot more. There is something inherently likeable
about James, they appeal to the everyman, they are masters of their craft, and
have built up an extensive canon of music that is both recognisable and
identifiable, as well as being profound and timeless. They are associated with
writing music that “makes grown men cry” – something that not many other bands
can claim.
And now, fresh of the release of The
Gathering Sound – a full career spanning box set – the band have just
announced that June 2nd will see the release of their latest album La Petite Mort (a French expression which
translates as ‘the little death’ and is a euphemistic term for an orgasm).
Since reuniting, the group have released one full studio
album (2008’s Hey Ma) and two
mini-albums in 2010: The Night Before and
The Morning After. All three of these
releases have solidified the staying power of the group, and proved that their
reformation was not just a temporary thing.
Echoes of those mini-albums run through ‘Frozen Britain’ (it’s
more akin to tracks from the livelier of the two albums: The Night Before – such as ‘Crazy’, ‘Shine’ and ‘Hero’). The track
is full of vibrant energy, despite this being their thirteenth album the group
are showing no signs of slowing down. Tim Booth is not playing it safe either,
but throwing caution to the wind: the repeated chorus line of “Emily come to
bed” is performed with gusto and confidence. He then brings the song to a close
with emotionally-charged repetitions of the album’s title, as well as
references to the eponymous Emily.
This bodes well for the rest of the album. I for one will
certainly be buying it, and I eagerly await the arrival of the first single – ‘Moving
On’ – at the end of April.
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