I, like many others, discovered Elbow in 2008 around
the time of their breakout success The
Seldom Seen Kid. I can claim a faint glimmer of elitism when I say that I
got my copy of the album several months before it brought monumental success to
the group, but such a claim doesn’t really mean all that much. I was just
excited to have discovered such a solid and accomplished band, and more than
that a group who seem like genuinely nice guys behind the scenes and in
interviews. I was therefore very pleased for them when they won the Mercury
Prize and began receiving much wider recognition – being called one of the UK’s
best bands. It was an accolade that they had worked towards, and one that they
accepted with an all too rare sense of humility. Here is a band who are ‘in it’
for the right reasons.
The huge success of The Seldom Seen Kid didn’t affect the quality of their output, and
any fears that this would have been the case were laid to rest with the release
of Build A Rocket Boys! in 2011. The album
was a worthy successor to The Seldom Seen
Kid, with a mature yet accessible sound – and Guy Garvey’s beautiful poetic
lyrics and sincere vocals grounding the ambitious and varied arrangements. There
is a real sense of the everyman about Guy Garvey, which for me is something I
find so appealing about Elbow as a band. He always comes across as very genuine
and very real in interviews, as opposed to being pretentious or repellent.
This year Elbow are set to release their sixth album:
The Take Off And Landing Of Everything which
is preceded by the single ‘New York Morning’. The song describes the feeling of
the famous city waking up and coming to life, whilst the narrator sits in a café
and watches it all go by. The joys of people watching in “modern Rome”. Although
the band have found success within America they have not forgotten their roots,
punctuated early on through the use of the quintessentially British phrase “oh
my giddy aunt”.
The track starts with a gentle fade-in – much like
the sun slowly rising over the city – but very quickly builds up a head of
steam as industrial drums and deliberate punctuated piano chords create the
sense of great buildings and skyscrapers all around. Meanwhile the lyrics are
very much a stream-of-consciousness-style outpouring, as the poet surveys all
that he sees and shares the thoughts and feelings that are evoked by all of
this.
It is a very uplifting track, one that ponders upon
the possibilities that come with the start of every new day: “Oh my God, New
York can talk/And somewhere in that talk is all the answers”. It is very well
crafted, conjuring up the image of a New York Morning very fittingly. It also
has me feeling optimistic about the new album, as if there were ever any
doubts!
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