My interest in Disney films has increased significantly over
the last six months – largely due to a blog I am currently co-writing which
chronicles every Disney animated classic, which has afforded me a fascinating
insight into the history of such a famous film studio. If you have any interest
in this, then follow this link to the blog:
http://thedisneyodyssey.wordpress.com/2013/07/30/the-disney-odyssey-an-introduction/
It may seem strange, but the last time I saw a Disney film
in the cinema when it was originally released was back in 2005 (and I wasn’t
even aware that the film in question was amongst the ‘animated classics’ at the
time). Needless to say I had much higher expectations for Frozen than I did for Chicken
Little, and with my newly enhanced knowledge of Disney Studios I was pretty
excited about seeing it.
The film adheres to the tried-and-tested Disney format of
adapting a fairy tale – Hans-Christian Anderson’s ‘The Snow Queen’ – and uses
the same animation style as 2011’s Tangled.
Visually the film looks very impressive, and the use of ice and snow is both
creative and believable (the image of snow covered clothing as characters hike
through the mountains looks real). Having recently been watching films from
Disney’s financially strapped package-film era of the 1940s, it is really great
to see what the animators are capable of when given free reign over their
resources.
The characters are good as well; the story centres around
two sisters – Anna and Elsa – which is actually quite a rarity (but the
Princess-format tends to work well, so why not have two?). Anna, the
protagonist, manages to come across as likeable and sympathetic without being
too cutesy, and is given some amusing quirky moments as well. Elsa – the Snow
Queen – is a more brooding and tormented character, but one who lets loose
during a very impressive song-sequence, which could very well become a landmark
scene for this film in years to come.
Speaking of the songs, they sound very impressive – like something
out of a large-scale Broadway musical – although for me personally there was a
bit too much of a “like totally”-style
to the lyrics, which jarred with me a bit and may prevent any of these songs
becoming timeless classics. But I could be wrong about that. I will most
certainly come to review this film in more detail, and will give everything
(including the songs) a much more thorough analysis. The film actually starts
with a good song-sequence, which certainly has a Les-Mis quality to it.
Perhaps something I’m a little ticked off about is the lack
of a proper villain song, which is usually a highlight of many a Disney film
(at least from the late 80s onwards). The film breaks quite a few of the established
storytelling conventions with which the studio is synonymous, and this actually
leads to a couple of genuine surprises, and culminates in a very impressive
showdown, which doesn’t end in the most typical way. The storytelling can seem
a little unclear at times, but praise has to be given for trying out something
new and unexpected.
The film also manages to produce a few decent comedic moments,
notably a very funny line from Kristoff (one of the two love-interests) when he
loses his sledge. Kristoff actually gets quite a few funny lines, and shares a
nice friendship with his reindeer Sven. I didn’t find Josh Gad’s snowman Olaf to
be as annoying as I thought I would, although his voice did grate on me at
times. I think I may have liked the character more with a different voice
actor.
The film also pays homage to a number of the studio’s
previous classics, which leads to some very nice visuals – keep an eye out for
them!
Overall I enjoyed Frozen
and I’m glad I saw it in the cinema, breaking a lengthy streak of animated Disney
films that have passed me by. I have heard people make comparisons with some of
Disney’s most beloved classics such as Beauty
and the Beast although I’m not sure I would go quite as far as that. It is however
a very good film and I look forward to eventually reviewing it again as a part
of my Disney blog.
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