Editors were the first band that I ever saw live. I was a
huge fan of their first two albums, “The Back Room” and “An End Has A Start”,
especially tracks like ‘Smokers Outside The Hospital Doors’, ‘The Racing Rats’
and ‘Munich’. They even became the first band that I saw live for a second
time, as they were one of the support acts for R.E.M. during their final UK
tour. Suffice to say that at the time they were one of my favourite bands. Then
the difficult third album came out, the highly experimental “In This Light And
On This Evening” which I tried to convince myself was good for a little while.
Then whilst listening to one of the few okay-ish tracks from that album ‘Papillon’
a thought struck me: “what the hell is this song about?” Thereafter I found
myself thinking the same thing whilst listening to most of their other songs.
A little while after “In This Light And On This Evening”
upset my expectations, I discovered The National, a band with similar
influences, but who had a much better and more fully realised sound. It was a
shame that Editors slipped so far down my radar, especially since I had loved
their sound so much when I first discovered them. The third album was a big
disappointment, not just because it was a weak offering, but because it caused
me to re-evaluate how much I liked the band.
With all of this in mind, I approached Editors latest single
with an open mind. It had been a long time since I had listened to any of their
music, and I was aware that the band’s line-up had changed in that time.
The result?
‘A Ton Of Love’ is actually a very solid track, a pounding
energy runs through it, the guitars have a much rockier edge, and Tom Smith’s
vocals have a lot more force than they used to: especially when the chorus comes
in, as well as on the repeated “desire” refrain. This new sound builds on what
the first two albums established, and strengthens it (as opposed to changing it
altogether). If this single is anything to go by, then the new album should be
pretty good – essentially what the third album should have been. Having fallen
from grace – at least in my regard – Editors seem to be on the rise again. I
may need to hear more though, before I decide whether to buy the latest album
or not.
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