Saturday, December 28, 2013

The Hobbit: The Desolation Of Smaug (Film)



Last year I had high expectations going into The Hobbit: An Unexpected Journey having recently re-watched the Lord Of The Rings trilogy, and upon seeing the trailer; which seemed to promise a return to the Middle Earth I remembered so fondly from a decade prior. Sadly my expectations were not met, as the film relied far too heavily on CGI, contained a lot of sub-plots which resulted in many deviations from the main story, and a lot of shoehorning-in of characters and plotlines from the original trilogy, just because they could. It was nice to see familiar characters again, but completely unnecessary (and at times it made for uncomfortable viewing, as Christopher Lee looked almost like a cadaver which they had wheeled onto the set, en route to the morgue). I found the film to be incredibly frustrating, because I really wanted to like it – after all, the story is there and the world is there, so it should work, but it just doesn’t. 

My biggest issue is the same one shared by many of the film’s detractors, and that is that the films should not be a trilogy. It should be either two 2-hour films, or just one film; and after seeing The Desolation of Smaug my feeling is that the filmmakers should have gone with the latter option. My feeling is that, once this trilogy has finished, there will be enough solid content to make one really great film. But as things stand, we will have three (very long) films that are just okay. A year ago I didn’t think I’d be saying this, so it is a sad thing to admit (I still love the Lord Of The Rings films, in fact these films serve as reminders of how good they are).

But it’s not all bad news, because there are some salvageable elements within The Desolation of Smaug. Once again Martin Freeman gives a very strong performance as Bilbo, often a humorous and identifiable presence, but there are some scenes where the character is taken to extremes, which really stand out. Early on there is a scene in which the affects the ring is having on Bilbo are shown in his actions, followed by a moment of realisation at what he has done. There is also a wonderful dialogue between Bilbo and Smaug (more on the dragon in a moment) in which Freeman shows the Hobbit’s absolute horror at the magnitude of his situation. Generally speaking, any scene centred around Bilbo is usually a good scene. However, it dawned on me as I was leaving the cinema that he wasn’t in the film anywhere near as much as I thought he would be, and quite often when he was around he was just hovering on the peripherals.

Ian McKellen also gives an enjoyable performance as Gandalf (I would expect no less by this stage) although he separates himself from the rest of the group very early on, and is used sparingly throughout the rest of the film. There are also elements of his storyline which create inconsistencies with the storyline of the original trilogy. This is why I have such an issue with all the needless shoehorning-in of characters and plot-lines from The Lord Of The Rings, it creates problems where there doesn’t need to be problems (not to mention the sheer extent to which it draws out the running time). 

The other big positive that I can take away from this film is Smaug. The character has been built up since the prologue of An Unexpected Journey and finally makes his appearance within the final third of this film, and it does not disappoint. The design of Smaug is fantastic, the best mythical creature-design the studio have created since the Balrog in The Fellowship of the Ring, and he gets a decent amount of screen-time so the audience can take it all in. Benedict Cumberbatch provides the voice of Smaug, and it works really well; it could be very easy for a voice to sound forced and unnatural within such a role, but here it is very effective. These scenes are probably the best thing about this film (which only serves to justify my theory that within this trilogy of films, there is enough to make one really great film) and although they take a long time getting there, it is worth the wait.

Unfortunately there are things that I didn’t enjoy so much. I won’t go banging on about the CGI, because I was already prepared for it this time around, but I will say that it had a dire affect on the action scenes. Everything looked so flashy and unbelievable that it was impossible to become invested in the drama of any of the fights, and most of the time things moved so quickly I couldn’t make out what was happening anyway. There was also no stakes in any of the fight scenes: the previous film established that this band of dwarves are so uncanny, they will easily break free of any danger without getting so much as scratched. At the start of the trilogy it was mentioned that they aren’t all fighters, but that doesn’t prevent any of them from being able to dispatch untold numbers of ‘supposedly’ deadly orcs with ease. There was a scene in which the dwarves are floating down a river in barrels which demonstrates this issue very strongly. 

There is also an entire section of the film (I’m not sure how long it was exactly) in which the plot stops altogether, in order to familiarise the audience with Lake-town and its residents. I like Stephen Fry just as much as anyone else, but I didn’t want to see him in this film. Luke Evans does a fine job in the role of Bard, but unfortunately his efforts don’t count for much as the surrounding scenes are overly long, and filled with uninteresting characters. The confrontation between Bard and Thorin was the highpoint of this section, but the film would have been a lot more engaging if the whole Lake-town section had been omitted. 

There is also a dull romantic sub-plot between one of the dwarves: the good-looking one, (now the reasoning behind that casting decision becomes clear!) and Evangeline Lilly’s elf Tauriel. Not only is this sub-plot uninteresting, but it also takes up way too much time; I don’t know enough about either character to become invested in this romance that literally came from nothing. An Unexpected Journey provided the Middle Earth-based films with their most underwhelming villain, in the form of The White Orc. I assumed that he would get killed off in the first film but he’s back, and now he has another big bad Orc take over his role (because that’s what these films needed). To be fair the design of this new villainous Orc is more impressive and sinister than the other one.

I don’t want to complain too much, because I didn’t hate the film and I will go and see the third instalment when it comes out, but I just find these films frustrating because they should be better than they are. At least Sylvester McCoy was only in this one a little bit!

No comments:

Post a Comment